Gillian Anderson defends The Crown
Gillian Anderson has defended ‘The Crown’ as she believes the show has made the royal family “more internationally loved, celebrated and understood”.
Gillian Anderson believes ‘The Crown’ has made the royal family “more internationally loved, celebrated and understood”.
The 54-year-old actress – who played former Prime Minister Margaret Thatcher in the fourth season of the drama – has defended the Netflix series against allegations it has caused hurt by digging unnecessarily into the lives of the late Queen Elizabeth and her relatives but she insisted the writers have exercised a lot of “kindness and restraint” and the show has had more of a positive impact than negative.
She said: “It’s a drama. There’s a lot of researchers involved and a lot of people checking and double-checking and triple-checking.
“There’s a lot that has not been written about that could be written about.
“And if you knew the difference in those, you’d see there is a great deal of kindness and restraint.
“And I think at the end of the day, there are incredibly compassionate and well-rounded takes on human beings.
“And what you’re left with is properly, maturely drawn, complex characters.
“And there’s a lot that’s in there that one has to say; if you didn’t do it, we wouldn’t be writing about it.
“I think the whole family is more internationally loved, celebrated and understood in a way that they wouldn’t be were it not for the show.”
Gillian admitted she had “so much fear” before she started filming and had to juggle her nerves with preparing properly for the role.
She told Total Film magazine: “[I had] so much fear. It was a year where I knew I was doing theatre, which brings its own fears, and then ‘The Crown’ after – absolutely terrifying in their own ways.
“But, of course, one has to find a way to compartmentalise to a certain degree because it’s almost like, ‘OK, I’m not at the stage yet where I need to properly get afraid. There will be a point in the not-so-distant future where it will start making sense to properly get afraid. But I have to find a way to dive into her without literally wanting to throw up every time I open a book about her.’
“I started with research and listening to interviews and starting to hear the rhythm of her voice.
“And so then doing that simultaneously to reading her books; any time I was in the car, listening to her read her autobiography.
“It’s almost just allowing it to absorb without accepting the fact that eventually I’m going to have to make my own version of it.”
